Moving day! - I have reorganized my site. I’ll be leaving oranje in place, as an archive. But my new home has been moved.
3 years ago
A little bit of everything... Art, Art&Life, ruminations
As part of our continuing efforts to promote fractal and algorithmic art, we are organizing a new exhibition to coincide with the Year of Mathematics and Science. This contest is to select some of the artwork that will be used in the exhibition. (The remaining artwork will be selected directly by the contest selection panel and will include artwork created by panel members.)
Your tireless advocacy of Pittsburgh artists on their home ground is very much appreciated by a significant number of the gallery artists. Your vision cast light on a different path for many of them, encouraging many, and especially me, to consider other avenues. Your generosity in supporting and championing the visual arts is humbling.
Thank you, John Morris. You're a hero.
When we look at the intent of the larger exhibition, in relationship to institutional funding in Pittsburgh, we find an ill-informed curator and director who found nothing "New," as the exhibition title suggests, or even contemporary, but instead brought back mediocrity labeled with the exotic misnomer "India."
The title "India" fulfills a multicultural prerequisite for contemporary arts funding, the original intent of which, like that of the Mattress Factory itself, was supportive of cultural and aesthetic change decades ago but now serves as a linguistic barrier excluding actual contemporary ideas of cultural and aesthetic change. Read the article
After leaving Pittsburgh for New York, London and Berlin, Young realized that “how it was everywhere” in the art world was much more trend- and commercial-conscious, and much more gallery oriented. While artists in the art-world capitals were opening vast shows, selling pieces, and striving for an ever-looming specter of fame and success, the artists Young grew up around in Pittsburgh were generally just getting on with the business of making art. Read the articleWell, but, what's wrong with selling your work? It's almost like he's saying it's okay for Pittsburgh artists to be left out of the "booming art market" that artists in other cities enjoy. Because that's what makes our region's art so, well, regional. I would also point out that this perception of Pittsburgh artists is also what keeps them from competing in the larger arena and forces so many talented artists to leave the region.